Diana Crane is Professor of Sociology at the University of Pennsylvania and has also taught at Yale University, Johns Hopkins University, and the University of Poitiers. She has received a Guggenheim Fellowship and a Gulbright Award and has been a member of the Institute for Advanced Study in Princeton. She has published numerous articles and several books,including Invisible C...(展开全部)

The phrase 'production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both ...(展开全部)

This book discusses two related themes concerning the role and processes of mass communication in society. The first deals with questions regarding the power of the media: how should it be defined? how is it wielded and by whom? are previous approaches and answers to such questions adequate? The second theme revolves around the divisions between the liberal pluralist and Marxis...(展开全部)

Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis....(展开全部)

"This book is comprehensive and magisterial, and at the same time enormously readable. It will undoubtedly become one of the very few definitive texts in the rapidly growing field of media and cultural studies, providing a crucial link to critical theory and to social theory as a whole." Professor William Outhwaite, University of Sussex "An extremely powerful and sustained diag...(展开全部)

Through popular movies starring Bruce Lee and songs like the disco hit "Kung Fu Fighting," martial arts have found a central place in the Western cultural imagination. But what would 'martial arts' be without the explosion of media texts and images that brought it to a wide audience in the late 1960s and early 1970s? In this examination of the media history of what we now call ...(展开全部)

Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work. Rosen cautions us to avoid d...(展开全部)